DEBORAH CORNELL
Printmaking, Installation, Multimedia
Selected Solo Exhibitions and Presentations:
2021 Impact 11 International Printmaking Conference, Hong Kong, Online presentation, Eclipse Phase
2021 Installation, PS Art Space, Perth Australia for "Transmedial",
Sponsored by Print Council of Australia,
Eclipse Phase (catalogue)
2019 Installation, Rhode Island School of Design Museum, Eclipse/Phase
2019 Installation, SGCInternational, Tarrant College Gallery, Fort Worth
TX, Eclipse/Phase (Video & print- Deborah Cornell;
Sound - Richard Cornell)
2019 Boston Musica Viva Tsai Performance Center Boston, video and chamber ensemble,Commissioned by BMV, Richard Pittman Music Director, Collaboration with Richard Cornell,composer) Wind Driven (Chamber Concert with video
presentation)
2019 Video/electronic sound collaboration with Richard Cornell, Tsai Performance Center, Boston, Aqua Alta
2018 International Cultural Centre, Krakow Poland, Laureate Exhibition; Krakow Print Triennial Grand Prix, Deborah Cornell:Eclipse and Deluge: Accidental Powers and Oblique Contingencies (Historical Monograph)
2018 Tsai Performance Center, Boston, Performed by Alea III, Tracer (Multimedia Presentation)
2016 Art Sanctuary, Louisville KY, Tactility: Imprints and Traces (2-person show)
2015 Museum of Contemporary Art, China Art Academy, Hangzhou China, Wind Driven(Video presentation) (Catalogue)
2015 Simon Fraser University, Vancouver BC, Dysonance/Dysruption
(Collaborative interactive presentation with Richard
Cornell, composer)
2015 Bangor University Museum, Bangor ME, (2-person exhibition), The Dance of Contingencies
2014 Zayed University Dubai, United Arab Emirates, Installation of print and video Reflecting Place
2014 Boston Musica Viva , Tsai Performance Center Boston, video and chamber ensemble. Commissioned by Boston Musica Viva, Richard Pittman Music Director. Collaboration with Richard Cornell, Wind Driven
2014 Los Angeles Center for Digital Art, Los Angeles CA, Unbound: In the Space We Left Vacant (2 person)
2014 Kala Institute, San Francisco, CA, Quiet Skies (Collaborative interactive Installation with scientist Nathaniel Wheelwright, composer Richard Cornell, and artist Barbara Putnam)
2013 University of Dundee, Dundee Scotland, Synapse (with Kathryn Maxwell)
2012 Fass Gallery, Sabanci University, Istanbul Turkey, Deborah Cornell: Stratagems, Biogems and Games of Chance
2012 Atrium Gallery at New Orleans Center for Contemporary Art, New Orleans LA, Navigating (storms in) the Sea of Tranquility (two person)
2011 Monash University, Melbourne Australia Deborah Cornell: Unexpected Consequences
2011 Los Angeles Center for Digital Art, Los Angeles CA Deborah Cornell: Digital Prints2010 Samek Gallery, Bucknell University, Lewisberg PA, Deborah Cornell: The Sleep of Reason (installation, collaboration with composer Richard Cornell)
2010 TRACER, Screening, Silver Spring Civic Center, Silver Spring MD
2008 TRACER, Multimedia presentation, Town Hall, New York NY (Collaboration with composer Richard Cornell)
2008 TRACER, Multimedia presentation, Institute of Contemporary Art, Boston MA (Collaboration with composer Richard Cornell)
2008 SURGE, Multimedia presentation, Indiana University, Bloomington, IN (Collaboration with composer Richard Cornell)
2008 Gallery at St. Mark's School, Southboro MA, Deborah Cornell: Recent Prints
2007 SURGE Boston CyberArts Festival 2007, April/May, Performance, 3D virtual reality (Collaboration with composer Richard Cornell and Scientific Visualization Center, BU)
2006 Sala de Polyglata, Proyecto'ACE, Buenos Aires Argentina, Acqua Alta (installation)
2006 Pyle Center, University of Wisconsin-Madison WI, Unexpected Consequences (3-person)
2005 Galeria il Sotoportego, Scuola Internazionale di Grafica, Venice Italy, Species Boundaries
2005 Performance of Tracer, Taiwan National Normal University, Taipei
2005 Performance of Tracer, Boston Musica Viva, Tsai Performance Center, Boston
2005 Schlosberg Gallery, Montserrat College of Art, Beverly MA, Deborah Cornell: The Requiem Canticles
2005 TRACER, Collaborative Dance & Video Performance (Video projection,composition, choreography), with Aurora Borealis Dance Company, Huntington Theatre, Boston MA
2004 Hafnarborg Institute of Culture, Hafnarfjordur Iceland, Deborah Cornell (installation & prints, catalogue)
2003 TRACER Multimedia presentation (Video from virtual reality environment with live performance; collaboration with Richard Cornell, composer), Commissioned by Boston Musica Viva
2003 Lillian Immig Gallery, Emmanuel College, Boston, The New Renaissance (3 person)
2002 Center for Contemporary Art of the Ministry of Culture, St. Petersburg, Russia, Deborah Cornell: The Requiem Canticles
2001 Scuola Internazionale di Grafica Gallery, Venice Italy Deborah Cornell: Opere Recenti
2001 TRACER, Virtual Sculpture created for Boston CyberArts Festival
Supercomputing II National Conference, Denver
Internet II, Virginia Commonwealth University
CyberArts Festival, Scientific Visualization Center
High Speed Access Grid: University of New Mexico, Ohio State University, Univ. of North Dakota
2000 Nesto Gallery, Milton Academy, Milton MA Deborah Cornell/ New Work
1999 LINEA AUSTRALIS, Virtual sculpture created for Boston CyberArts Festival
Alliance Chautauqua, National Conference on High Technology Communication
Supercomputing III National Conference, Portland, Oregon
Boston CyberArts Festival, Scientific Visualization Center, Boston
University
1998 CRUX AUSTRALIS Internet 2 Conference, San Francisco CA
1998 Supercomputing Conference, Orlando FL
1998 Kendall Center Gallery, Belmont MA, The Sleep of Reason I (installation)
Selected Group Exhibitions 1998 - present:
2021 5th GLOBAL PRINT 2021, Alijo Portugal (Catalogue)
Providence Art Assn, Providence RI, CONNECT
2020 Teixeira Lopes Museum, Alijo Portugal Douro 10th International Printmaking Biennial Douro 2020
2019 Douro 4th Global PRINT 2019, 1st August - 30th September 2019 Alijo Portugal (Catalogue)
2018 University of Alberta Museums, University of Alberta, Canada,
Light/Matter: Art at the Intersection of Photography and Printmaking, 1954-2017 (catalogue)
Stockton University Gallery, Stockton NJ, Intersecting Methods Exhibition: Bringing Together the Arts & the Sciences
MUSA Collective (Online Exhibition) Collective Disquiet
Purdue University Galleries, W. Lafayette, IN, Into the Archives
Jerry Crail Johnson Earth Sciences & Map Library, University of
Colorado, Boulder CO, Mapping Home: Documenting
Change: Our Climate (Past, Present, Future)
Danforth Museum, Framingham MA, New England Print Faculty
Jewett Art Center, Wellesley College, Wellesley MA North American Print Biennial (catalogue)
NI Institute Museum, Bitola, Macedonia, 9th International Print Triennial Bitola
Centros Civicos y Culturales Juan Carlos Calderón, Santander, Spain, September 1- 9 Choropleth Maps: Encountering Diverse Shades of Printmaking
Museo do Douro, Douro Portugal, 9th International Biennial (Catalogue)
Deans Gallery, University of Louisiana at Lafayette, Lafayette, LA Layers
Beneath the Moment
Palacete de Embarcadero, Santander Spain, Circumference and Radius
808 Gallery, Boston University, Boston MA, A Few Conversations Among Women
2017 Los Angeles Center for Digital Art, Los Angeles CA, 13th
Anniversary-Represented Artists
Taller de Grafica de la Habana, Havana Cuba, Circumference and Radius
Indiana University, Bloomington IN, Light/Matter: Art at the Intersection of Photography and Printmaking, 1954-2017 (catalog)
Split, Croatia, VIII Splitgraphic 2017 (online exhibition, (catalog)
Miguel Torga Cultural Space | Douro Museum, Douro, Portugal, Douro 3rd
Global Print 2017
Landmark Gallery, Texas Tech University, Beyond Printmaking 5
Harbor Gallery, UMass Boston, Absence and Presence
2016 Yinchuan Art Museum, Yinchuan, China, Dialogue With Yinchuan:Chinese/American International Printmaking Exhibition
2016
Krakow Print Triennial (Planty Space), Krakow Poland, 50/50 Prize Winners
Al Founan Gallery, Zayed University, Abu Dhabi, UAE, Circumference and Radius
George Mason University, Fairfax VA, Absence and Presence
North View Gallery, Portland Community College, Portland OR, Geo-Codes:
Mapping A Practice
Exeter Academy, Exeter NH, A State of Mind
Portland College of the Arts, Portland Oregon, Isla Encanta
Higgins Gallery, CCCC, Hyannis MA,
2015 Gallery Bunkier Sztuki, Krakow Poland, Krakow Print Triennial 2015 (Grand Prize) Catalogue
Museum of History, China Art Academy, Hangzhou China, Geo-Codes:Mapping a Practice
Neon Gallery, Center for Applied Arts, Center for Innovation, Wroclaw Poland, Post-digital printmaking: Redefinition of the
concept of matrix
Los Angeles Center for Digital Art, Los Angeles CA, 11th Anniversary - Represented Artists
Sci-Art Center Gallery, New York,
The New Unconscious (curated by Danielle Kalamaras, online exhibition)
Old City Hall, Split, Croatia, VII SPLITGRAPHIC 2015. Catalogue
Biblioteca Municipal, Alijo Portugal, Bienal do Douro i Global Print
Exhibition. Catalogue
Chambers 241 Gallery, U. of Canterbury, Christchurch New Zealand, 2015
Pacific Rim
Awagami Hall, Tokushima Japan, Awagami International Print Exhibition
McClung Museum, Knoxville TN, Drawn from McClung
Gallery of Art & Architecture, University of Tennessee, Circumference
and Radius
Danforth Museum of Art, Framingham MA, Off the Wall. Catalogue
Arts Visalia Gallery, Visalia, CA, East/West
2014 Art Gallery, Zayed University, Dubai UAE, Cartographies: Mapping Intersections & Counterpoints
Los Angeles Center for Digital Art, LA, Ten-Year Represented Artists Retrospective and Snap to Grid
Newport Art Museum, Newport RI, Palette to Plate
California State University at Long Beach, Crossing Paths
2013
Awagami Hall, Tokushima Japan, Awagami International Print Exhibition
Los Angeles Center for Digital Art, LA, Represented Artists
Opole Contemporary Art Gallery, Krakow Poland, In Search of New Meanings, in conjunction with Krakow International Triennial 2012
Deans Gallery, Fletcher Hall, University of Louisiana at Lafayette, Common Space
Danforth Museum of Art, Framingham MA, Community of Artists
808 Gallery, Boston University, Boston MA, North American Print Biennial
2012 Jagiellonian Library, Kraków Poland, Lettra - Kraków 2012 /
Letter and Sign, in conjunction with Krakow International Triennial 2012
Harnett Art Museum, Richmond VA, Harnett Biennial of American Prints
Landmark Arts, Texas Tech, Lubbock TX, Beyond Printmaking
Los Angeles Center for Digital Art, Los Angeles CA, 8th Anniversary
Retrospective
Rueff Galleries, Purdue University, West Lafayette IN, Common Space
UCF Gallery, Univ. of Central Florida, Orlando FL, East/West: A Survey of
Contemporary Printmaking
Danforth Museum of Art, Framingham MA, A Community of Artists
2011 Monash University, Melbourne Australia, Cartographies
RMIT Gallery, Melbourne Australia, Fold
Sabanci University Gallery, ISEA Conference, Istanbul Turkey, Digital
Prints
Alchemy Gallery, Beijing China, Spacium Tempus
National Arts Club, New York NY First National Exhibition of Intaglio Prints
Huntsville Museum of Art, Huntsville, Alabama, thINK.
Oresman Gallery, Smith College, Northampton MA Seven for Science
St. Louis Art Center, St. Louis MO Going Solar
Brush Art Gallery, St. Lawrence University, Canton NY Circle of Print
Central Connecticut State University Art Gallery, New Britain CT,
East/West: A Survey of Contemporary Printmaking
2010 Museo de Arte del Tolima, Columbia, Grabado Salon Internacional 2010
Sainsbury Center for Visual Art, Norwich University, Norwich UK, Market
Arcadia Gallery, Halifax Nova Scotia, Canada, One World
University of Canterbury, Christchurch NZ, Pacific Rim International
L.A. Center for Digital Art, Los Angeles CA, Top 40
Climate Gallery, Long Island City NY, Contemporary Prints
Art konsult-23 Hauz Khas Village, New Delhi India, Ganjifa
Federation Gallery, Vancouver BC, BIMPE International Print Exhibition
Crane Center, Philadelphia PA, Hidden Agendas: Embedded Signatures
Columbia College, Columbia MO, Paper In Particular
Lemongrass Gallery, Ahmedabad India, Ganjifa
Isabella Cannon Gallery, Elon University, Elon NC, Current Trends In Print
Campus Gallery, University of Hawaii, Hilo HI, Pacific States Biennial
National Exhibition
Catherine G. Murphy Gallery, St. Catherine University, St. Paul MN, New
World Old World
Gormley Gallery, College of Notre Dame of Maryland, 21st National Drawing
& Print Exhibition
Washington Printmakers Gallery, Bethesda MD, Small Works
2009
Gallery at University of the West of England, Bristol UK, New
Traditions in Old Clothes
2008
Long Yi Bang Gallery, Beijing China, One World International
Exhibition (catalog)
2007 A.I.R. Gallery, New York, 6th Biennial (Juror Connie Butler, MoMA)
2006
New York Hall of Science, NY, Digital 06 BioMED Sci Art, Art/Science
Collaborations
2005 Instituto Italiano di Cultura, Washington DC, Potenti Impressioni:
Italian and American Prints (catalogue)
2004 Fundacion Gonzalo Torrente Ballester, Santiago de Compostela, Spain, Flying Carpet International Women's Print Project (catalogue)
2003
M. Zilinkas Gallery, Kaunas, Lithuania Flying Carpet, International
Women's Print Project (catalogue)
City Gallery, Sofia, Bulgaria, Lessedra Eighth World Print Annual (catalog)
Taller Galeria Fort, Cadaques Spain, 29th Mini Print International of
Cadaqués
Indus Valley School of Art and Architecture, Karachi, Pakistan, Gunjifa
(catalog)
Estuary Art Gallery, Bogata Columbia, International Print Exhibition
(catalog)
Leopoldo Carpinteyro Gallery, Instituto Mexicano Norteamericano de
Relaciones Culturales, Monterrey Mexico, Prints For Peace
L.A. Center for Digital Art, Los Angeles CA, Snap To Grid
Arts Building, Columbia College, Chicago IL, International Collaborations
Brand Library Gallery, Glendale CA, Brand 38 (catalog)
Landmark Arts, Texas Tech, Lubbock TX, Beyond Printmaking
Shy Rabbit Contemporary Arts, Pagosa Springs CO, Print National
Desotorow Gallery, Savannah GA, Undefined
Ingraham Hall Gallery, Pacific Lutheran University, Tacoma WA, 2009
National Print Exhibition
CAS Gallery, University of Miami, Miami FL, International Printmaking
Biennial (catalog)
Haggerty Gallery, University of Dallas, Dallas TX, One World International
Exhibition
Chaap - Vadodara, Gujarat, INDIA, Gunjifa
Hörnan Gallery, Falun, Sweden, Gunjifa
Smith College, Northampton MA, Field Report
Naestved Cultutal Center and Museum, Naestved Denmark, International
Exhibition of Prints (catalog)
Reflect-Arts, The Fountainhead Gallery NY, online exhibition, Relics and
Remembrances
Dedalo Center for Contemporary Art, Abruzzo, Italy, Printmaking Today
Hanyang University, Seoul Korea, One World
Richmond International Airport, Richmond VA, No Danger
Abcdarian Gallery, Denver CO, Photoworks - Books & Prints
Purdue University Galleries, W. Lafayette IN, Sixty Square Inches(catalog)
Virginia Commonwealth University, Richmond VA, Print By Number
Brush Art Gallery, St. Lawrence University, Canton NY, Pocahontas Meets
Hello Kitty
Gordon College Gallery, Wenham MA, Field Report
Art Museum, Northern Illinois University, Global Matrix II (catalog)
SUB Gallery, Boise State University, Boise, ID, Pocahontas Meets Hello
Kitty
Pfizer Headquarters Gallery, New York NY Landscapes of Today's Science
Lessedra Gallery, Sofia Bulgaria, 6th World Art Print Annual
Novosibirsk State Art Museum, Novosibirsk Russia, 5th Novosibirsk
International Biennial of Graphic Art
Neapolis Printmaking Center, Thessalonika Greece, The Flying Carpet
Landratsamit, Stamberg Germany, The Flying Carpet
The Print Center, Philadelphia PA, 81st Annual International Competition:
Printmaking (catalogue)
Long Beach Island Foundation of the Arts & Sciences, Loveladies NJ,
Annual International Competition: Printmaking
(catalogue)
New York Academy of Science, NY, Species Boundaries and Tracer (screenings)
Washington Printmakers Gallery, Washington DC, National Small Works 2007
Gallery 6, National Library, Tallinn, Estonia, Graphic Communications
Ringel Gallery, Purdue University Museums, Global Matrix II (catalogue)
Boston University Art Gallery, Boston MA, Sixty Years of North American
Prints (catalogue)
Majestic Galleries, Nelsonville OH, 2nd Annual National Exhibition
Visual Arts Society, Denton TX, 39th Annual Visual Arts Exhibition
(catalogue)
Kansas City Art Institute, Kansas City MO, Pocahontas Meets Hello Kitty
Carillon Gallery, Rushing Ctr. for Performing Arts, Fort Worth TX, The
South Press Printastic Printacular
The Micro Museum, Brooklyn NY, 11th Not Still Art Festival, Screening of Tracer
Kunstarkadeninder Sparkassenstr, Munich Germany, The Flying Carpet
International Women's Project
Sidney Cooper Gallery, Canterbury University, Kent UK, Wrexham Print
International (catalogue)
Rhyl Arts Center, Denbighshire Wales UK, Wrexham Print International
(catalogue)
University Museum, University of Richmond VA, The 2006 Harnett Biennial of
American Prints
Humanities Building, University of Wisconsin-Madison WI, The Genetic
Landscape
Sabatini Gallery, Topeka Library, Topeka KS, The Printed Image Biennial
VanDeb Editions Gallery, New York NY, The 9/11 Memorial Portfolio
Hudson Gallery, Sylvania OH, Celebrating Contemporary Printmaking 2006
Art Gallery at Monmouth University, W. Long Branch NJ, National Print
Exhibition
Ruiff Galleries, Yue-Kong Pao Hall, Purdue University IN, Inklandia
Danforth Museum of Art, Framingham MA, The New Landscape
Duxbury Art Complex Museum, Duxbury MA, New Acquisitions
Wrexham Arts Centre, Yale College, Wrexham UK, Wrexham Print International
(catalogue)
The Haven Gallery, Boston, Lincolnshire UK, Wrexham Print International
(catalogue)
City Gallery, Sofia, Bulgaria, Lessedra Fourth World Print Annual
(catalogue)
University of the Arts, Philadelphia PA, Small Prints
South Bend Regional Museum, South Bend IN, SGC Traveling Exhibition
(catalogue)
Saddleback Art Gallery, Mission Viejo, CA, Another View: Selected Works
from Contemporary American Printmakers
Museu de Arte do Rio Grande do Sul, Porto Alegre, Brazil, Flying Carpet
International Women's Project
National Museum at Poznan, Poznan Poland, Flying Carpet International
Women's Project
Highpoint Center for Printmaking, Minneapolis MN Flying Carpet,
International Women's Print Project
University of Alberta, Edmonton Alberta, Canada, Small Prints
Chicago Gallery, Northern Illinois University Art Museum, Chicago IL,
Global Matrix (catalogue)
Crown Center Gallery, Loyola University Chicago, Second LUC Print Biennial
(catalogue)
Duxbury Art Complex Museum, Duxbury MA Time Remembered, Time Past
(catalogue)
Musee des Beaux-Arts, Locle, Switzerland, Tapis Volant, International
Women's Print Project (catalogue)
Syningarsalur, Islensk Grafik, Reykjavik Iceland, Flying Carpet,
International Women's Print Project
Franz Masreel Center, Kasterlee, Belgium, Flying Carpet, International
Women's Print Project
Lahti Art Museum, Lahti Finland, Fifth International Miniprint Triennial
(catalogue)
Print Gallery, University of the Arts, Philadelphia PA, Small Prints
Pabellon de Cristal del Recinto Ferial de la Casa de Campo, Madrid, Spain
Flying Carpet International Women's Print Project (catalogue)
Danforth Museum of Art, Framingham MA, Solar Etchings
University Art Galleries, Wright State University, Dayton OH, Global Matrix
(catalogue)
Period Gallery, Dayton OH, Digital Printmaking (online exhibition)
Hallspace Gallery, Boston MA Seeing Is Believing
Merwin Gallery, Illinois Wesleyan University, Bloomington, IL,
SGC
Traveling Exhibition (catalogue)
Carroll Reece Museum, Johnson City, TN, SGC Traveling Exhibition
2002
Pablo de la Torriente Brau Cultural Centre, Havana Cuba, HomeoStatic
City Gallery, Sofia, Bulgaria, Lessedra First World Print Annual
(catalogue)
Purdue University Gallery, Global Matrix (catalogue)
Art Center, Loyola University, Chicago IL, LUC Print Biennial
Denver International Airport Gallery, Denver CO, Fission/Fusion
Rothschild Gallery, Radcliffe Institute for Advanced Study, Harvard, Sept.
11 Benefit Exhibition
2001
Westbeth Gallery, NYC, Prints & Photography: RISD On the Road
Memorial Gallery, Yale College, Wales, Wrexham Print International
(catalogue)
Gallery at Glasgow University, Scotland First International Folio
Artemisia Gallery, Chicago IL, Prints & Photography: RISD On the Road
The Atrium at 600 Townsend, San Francisco CA, Prints & Photography:
RISD On the Road
Blanton Museum, University of Texas at Austin TX, International Portfolio
Lancaster Museum, Lancaster PA, Under One Roof
808 Gallery, Boston University, 2001 North American Biennial (catalogue)
Boston University Art Gallery, Workshop Traditions: Boston Prints Since
1960
2000
Architecture Gallery, University of Miami, HomeoStatic, Miami FL
New Orleans Academy of Fine Arts, RISD On The Road, New Orleans LA
Benson Hall Gallery, Rhode Island School of Design, Bon A Tirer, Providence
RI
1999
Des Moines Art Center, Des Moines IA, PhotoImage: Prints From 60's to
90's (catalogue)
808 Gallery, Boston MA, North American Print Biennial 1999 (catalogue)
Wiggin Gallery, Boston Public Library, New Acquisitions
1998 Museum of Fine Arts, Boston, PhotoImage: Printmaking 60's to 90's
(catalogue)
Maison des Arts & de la Culture, Quebec, Graveurs de Boston (catalogue)
Art Gallery, Louisiana State University, Baton Rouge LA Art and Science:
Selected Works (catalog)
Griffith Gallery, Austin State University, Nacogdoches TX, Image & Text
II
Awards/Prizes/Honors/Residencies:
Grand Prix D'Honneur, Krakow International Print Triennial 2015 (for distinction in career, first time to an American printmaker, rarely awarded)
Grand Prix in Krakow International Print Triennial 2015 (for Reflecting Place installation), the first time both awards have ever been given to the same artist
Special Award for Remarkable Contributions to the Graphic Arts”, 9th International Triennial of Graphic Art, Bitola, Macedonia
Grand Prize, International Digital Art Competition, Los Angeles Center for Digital Art
Fellow, Bunting Institute, Radcliffe, Harvard University
Ford Foundation Scholarship Grant
Deya Archaeological Museum Fellowship, Mallorca, Spain
Massachusetts Cultural Council Award
Artist in Residence, Invitational, Proyecto'ACE, Buenos Aires, Argentina
Artist In Residence, Invitational, Scuola Internazionale di Grafica, Venice Italy
Artist in Residence, Invitational, University of Louisiana
Residency, Frans Masereel Centrum, Kasterlee Belgium
Glendenning Prize, Silvermine Guild (Juror: Theodore Stebbins)
Tamarind Institute, Residency Workshop, University of New Mexico
Earthwatch Artists Fellowship/Weber Foundation
Boston Printmakers Jury Commendation for Blood and Water: Shard
Jean and Frank Privitera Purchase Prize for Best Print for Duality: After Leonardo (Juror: Carl Belz,Rose Art Museum)
Materials Award for Blood and Water: Transposition (Juror Marilyn Kushner, Brooklyn Museum)
Juror's Commendation for Requiem Canticles: Pace Maker (Juror David Kiehl, Whitney Museum)
Purchase Prize for Limulus Polyphemus, Purdue University Galleries
Prize for Species Boundaries: DNA Exploding, Majestic Galleries
Purchase Prize for Trove Series: Measure, Purdue University Galleries
International Program Committee, International Society for Electronic Arts, Montreal Canada, 2019
International Program Committee, International Society for Electronic Arts, Durban South Africa, 2017
International Program Committee, International Society for Electronic Arts, Vancouver BC, 2015
Invited Peer Reviewer for International Society for Electronic Arts, Dubai Conference, UAE, 2014, 2015
Invited Juror, Fifth International Print Triennial, Cairo, Egypt
Invited Juror, Janet Turner Museum National Print Competition, Chico State College, CA
Selected Public Collections:
Boston Museum of Fine Arts
Australian National Print Collection, NSW
Yinchuan Art Museum, Yinchuan China
University of the West of England, Bristol, UK
RMIT, Melbourne Australia
Feevale University, Novo Hamburgo, Rio Grande do Sol, Brazil
Rhode Island School of Design Museum
Boston Public Library
Worcester Art Museum
SMTG Prize Collection, Krakow Poland
Weisman Art Museum, U of Minnesota
Zuckerman Museum of Art, Atlanta Georgia
IBM Corporation
Hospital Corporation of America
Nohra Haime Gallery, NY
Gannett Corporation
Purdue University, Lonsford Collection
University of Colorado, Special Collections, Boulder CO
University of Louisiana
Mellon Bank
Wellington Management, Boston & NY
Fidelity Group
Bank of America (Bank of Boston)
Gillette Corporation
Scheliper, Brussels, Belgium
China Art Academy, Hangzhou, China
Proyecto'ACE, Buenos Aires, Argentina
Casa Hogar el Refugio Monterrey, Mexico
The Icelandic Printmaker's Association, Reykjavik
Kohler Art Library, University of Wisconsin-Madison
Prudential Insurance Company
New England Life Insurance Company
Hilliard Art Museum, University of Louisiana
St. Lawrence University Collection, Canton NY
Hartford National Bank
Thorndike, Doran, Paine and Lewis, (Stephen Paine Collection)
Harvard Business School
Rubinacci Alessandro, Milan
Paul & Susan Master-Karnik
David Rockefeller, Jr.
Turku Art Museum, Finland
Danforth Art Museum
University of Miami at Coral Gables
University of Nevada, Las Vegas
Zayed University at Abu Dhabi United Arab Emirates
University of Southern Indiana
University of Central Florida Special Collections
Nicholls State University
Publications as Author:
Cornell. Deborah. "Dark Energy: Working at the Perimeter of Materiality." IMPACT Printmaking Journal (Inaugural Edition), 1, no. 1 (Spring 2020)
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ . "Eclipse and Deluge: Accidental Powers and Oblique Contingencies." In Deborah Cornell: Eclipse and Deluge: Accidental Powers and Oblique Contingencies, Marta Anna Raczek-Karcz editor. Krakow: Krakow Print Triennial, 2018. 66-75
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ . "Dark Energy: Working the Perimeter." In Impact 9 International Print Conference Proceedings, Jiang Kong Guoquiao Xu editor. Hangzhou: China Art Academy Press 2015. 495-499.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ . "Introduction" in Almost Illuminated: Edward Bernstein, edited by Linda J. Baden. Bloomington: Indiana University, 2013. 4-5.
̶ ̶ ̶ . "The Digital Dialect: Tactility, Transience, Reach, Limits and Limitlessness." In Intersections and Counterpoints: Conference Proceedings, Impact 7 International Printmaking Conference, Luke Morgan editor, Melbourne: Monash University Publishing, January 2013.
-- ̶ -. "Tracer" In Richard Cornell, Tracer, Recent Chamber Works, Ravello Records, 2013. RR7869
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ . "Animated Pages: The Virtual (R)Evolution of the Book." In Openings: Studies in Book Art, the Journal of the College Book Arts Association, 1, no.1 (2012).
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ . "Political Prints: Abstract." In Impact 6 Multidisciplinary Conference on Contemporary Printmaking Conference Proceedings, Bristol: University of the West of England, 2011.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ . "Ambient Printmaking." In Grapheion International Review International Review of Contemporary Prints, Book, and Paper, 21 (Yearbook 2008) Simeona Hošková editor-in-chief, guest edited by Richard Noyce, Melantrichova Czech Republic: Central European Gallery and Publishing House Ltd.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ . "A Virtual Reality." Contemporary Impressions Journal of the American Print Alliance, Carol Pulin, ed., 14 no. 2 (Fall 2003). 11-15.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ . "The Workshop as Center." Contemporary Impressions Journal of the American Print Alliance, Caroi Pulin ed., 6 no. 1 (Spring 1998). 20-21.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ . "The New Terrain of Printmaking." In Un-Defining...Print, Cynthia Grieg ed., Detroit: Detroit Artists Market, 1998. 6-7.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ . "Shifting Grounds: The New Terrain of Printmaking." Art New England. (February/March 1997). Partially reprinted in IMPRINT, The Journal of the Print Council of Australia. (Winter 1997) 32 no. 2.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ . "Working Proof: Director's Overview", In Working Proof: Experimental Etching Studio, Sinclair Hitchings ed., Boston: Boston Public Library, 1992. ASIN: B001BVUMFK 9-16
Invited: Published Fine Print Portfolios:
Mapping the Anthropocene, Winthrop University SC 2020
Intersecting Methods, R&D Editions, Maryland, curated by Matthew
McLaughlin 2019
Mapping Home, University of Colorado, curated by Melanie Yazzie, Boulder CO
2018
Intersecting Methods, R&D Editions, Maryland, 2016
Drawn From McClung, McClung Museum, Knoxville TN, 2015
Crossing Paths, University of Colorado 2013
Common Space, Purdue University, 2012
East/west University of Louisiana, Lafayette 2011
Born Digital - New Materialities, Grays College, Aberdeen Scotland 2010
Awesome Printmakers, University of Colorado, 2010
Snakes and Ladders, Chaapp Studios, Vadodara India, 2009
Circle of Print, University of Colorado, 2009
International Collaborations, Iowa State University, 2009
New Traditions In Old Clothes, Indiana University, 2009
Gunjifa, Chaapp Studios, Vadodara India, 2008
Print By Numbers, Bowling Green State University, 2008
Visual Transparencies, University of Colorado, 2007
Pocahontas Meets Hello Kitty, University of Arizona, 2007
A Clever Means, University of Texas at Arlington, 2007
The Artist and the Genetic Landscape University of Massachusetts, 2006
Triad EES Arts Boston 2006
Nature, Print Australia, 2004
Flying Carpet International Women's Project, Bern, Switzerland, 2003
Digital Exchange, Print Australia, 2002
International Digital Print Portfolio, University of the West of
England/Honeywell, 2002
September 11 Memorial Portfolio Project, American Print Alliance, 2002
International Miniatures, University of the West of England, 2001
HomeoStatic, University of Florida, 2000
Duality, Experimental Etching Studio, 2000
Shifting Grounds, School of the Museum of Fine Arts, 1997
Suite X, School of the Museum of Fine Arts Boston, 1996
Curated: Published Fine Print Portfolios:
Layers Beneath the Moment, 2018 (Co-curator, Barbara Putnam)
Circumference and Radius 2015
Digital Luminaries 2013
Hidden Agendas: Embedded Signatures 2010 (Co-curator Barbara Putnam)
Selected Articles/Media/Reviews/Citations:
Ackley, Clifford. PhotoImage: Prints From 60's to 90"s, Boston: Museum of Fine Arts Boston, 1998.
Acton, David. Sixty Years of North American Prints, Boston: The Boston Printmakers, 2009. 25, 26, 138-9, 163.
Banks, Michele. "Art of Science: Deborah Cornell's Drifting DNA" , The Finch and Pea, Posted April 8, 2015.
Bialik, Mikhail. "Review", The Neva Times, (St. Petersburg, Russia), June 5, 2002.
Birmingham, Doris. "Deborah Cornell: The Sleep of Reason, A Cautionary Tale", Art New England, April/May 2000.
Candiani, Alicia. "Con Tempus - Being with Her Time", in Deborah Cornell: Eclipse and Deluge: Accidental Powers and Oblique Contingencies, Marta Anna Raczek-Karcz editor, Krakow: Krakow Print Triennial, 2018. (Retrospective Catalog.)
Canelas, Nuno. Global Print 2015, Douro Portugal:Alijo Printmaking Center, 2015. 51. (Exhibition)
Chintamani, Gautam. "Creating Magic with Card Signs", Buzz Bureau web review, Ahmedabad India, January 23, 2010.
Chmielewski, Amy. "Sights and Sounds: Explorations in the Arts: Art Meets Computer Science", Research 2007, Fall 2007. 24-25.
Creative Television Associates & De Cordova Museum, The Electronic
Canvas.
Video presented on WGBH-TV, April 2, 2000.
Reviewed by Miles Unger, The New York Times, Sunday April 2, 2000.
Desmet, Anne. "Open to Scrutiny", Printmaking Today, (London) Spring 2003, 12 no.1.
Duehr, Gary. "BU to Hold Printmaking Symposium", The TAB, February 25, 1997.
Faxon, Alicia. "Workshop Traditions: Boston Prints Since 1960", Art New England, June/July 2001.
Fifield, George. "Art of the Future/The Future of Art", Art New England, December/January 2000.
Flatow, Sheryl. "Fine Print", Research Magazine 2012, Boston University.
Folga-Januszewska. Dorota, "The Art of Connections", in Deborah Cornell: Eclipse and Deluge: Accidental Powers and Oblique Contingencies, Marta Anna Raczek-Karcz editor, Krakow: Krakow Print Triennial, 2018. (Retrospective Catalog.)
Frenn, Chawky. 100 Boston Artists, Atglen PA, Schiffer Publishing Ltd, 2013.
Gilroy, Brian. International Symposium of Electronic Arts 2014 LOCATION Catalog, Dubai: Zayed University 2014.
Goldfine, Rebecca."New Berkeley Show Fusing Art, Science Warns of Songbird Collapse", Bowdoin News, March 27, 2014.
Goss, Carol. "Not Still Art Festival Review", improvart.com, October 7, 2006.
Jun, Guang. "Deborah Cornell", Dialog with Yinchuan: China America International Printmaking Exhibition 2016, Yinchuan: China-America International Printmaking Exhibition Committee, 2016. 28-30.
Hauth, M. "Graveurs de Boston", Dernier Nouvelles D'Alsace, 20 fevrier 1990, no. 43.
Ingvarsdottir, Frida Bjork. "Mikill litur i svertunni", Morgunbladid, 25 October 2004.
International Triennial Print Society of Krakow. LETTRA-KRAKOW 2012, Krakow Jagellonian Library, 2012.
Jule, Walter; Ledent, Ingrid; Stirrat, Betsy; and Templeton, Tracey. "Deborah Cornell", Light and Matter: Art at the Intersection of Photography and Printmaking, Bloomington: Indiana University Grunewald Gallery, 2018. 26-27.
Kalamaras, Danielle. "INTERVIEW: Deborah Cornell Talks About her Work Featured In The Sciart Center Exhibition The New Unconscious", Sci-Art In America, September 9, 2015.
Kenyon, Therese. "Show In the Labyrinth". IMPRINT: National Journal of the Print Council of Australia. 44 no. 4. 12-13.
Kompeda, Kim. "Deborah Cornell: New Works", Art New England, June/July 1991.
Kumar, Sharya. Perfect with Pixel, Bowling Green State University: Ohio 2008 (exhibition catalog).
Lamb, Marguerite. "Rich Mix at Printmaking Show", Boston University Today, Feb. 28, 1997.
McIan, Nico. "active/Reflective: Contemporary Monotypes", Art New England, April/May 1991.
McQuaid, Cate. "A Haunted Poetic Vision of Genetics", The Boston Globe,
February 3, 2000.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶
̶ ̶ . "A Journey Through Shadows and Light", The Boston Globe,
March 2, 2002.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶
̶ ̶ . "Digital Art Takes Wing", The Boston Globe, April 27, 2000.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶
̶ ̶ . "Beauty of These Artworks Printed Clearly", The Boston
Globe, March 2, 2001.
Medrek, T.J. "Movie Melodies Score Big at Festival", Boston Sunday Herald, May 11, 2003.
Millis, Christopher. "Fit to Print", The Boston Phoenix, March 28, 2003.
Morrison, Holly. "be-yond - be-ond", Beyond Printmaking, Lubbock: Texas Tech University, 2008. (Exhibition catalog).
Nemser, Rebecca. "A Different Way of Seeing", The Boston Phoenix, March 2, 1990.
Nowicka, Martyna. "1105, 100 I Deborah Cornell", Krakow Gazeta, September 20, 2015.
Noyce, Richard. "Beyond the Surface', Printmaking Today. Autumn 2018. Volume 27, Issue 107. Published by Cello Press, London.
Parcelin, Paul. "Deborah Cornell/Lois Tarlow", Art New England, August/September 1995.
Parker, Teresa. "Deborah Cornell's Sublime Explorations into Genetic Survival", That's Inked up, Tuesday, January 10, 2012.
Patterson, David. "Viva Defends Earth Under Attack", The Boston Musical Intelligencer, February 3, 2019.
Perez Varela, Jesus. Flying Carpet, Conseleria de Cultura: Santiago de Compostela 2004 (exhibition catalog).
Potocka, Anna. Where Is Printmaking?, Opole Poland: Wydawka, 2012. (Exhibition catalog.)
Pulin, Carol. "One`World - North East West South", One World, Halifax NS: MAAPS, 2008. (Exhibition Catalog).
Raczek-Karcz, Marta Anna, "Artist Immersed In Processes", in Deborah Cornell: Eclipse and Deluge: Accidental Powers and Oblique Contingencies, Marta Anna Raczek-Karcz editor, Krakow: Krakow Print Triennial, 2018. (Retrospective Catalog.)
Raczek-Karcz, Marta Anna, editor, GRAPHICS MTG 2015 Krakow Poland: International Print Triennial 2015 (Exhibition catalog)
Shah, Kavita. Ganjifa. Chhaap: Boroda India 2008. (Exhibition cátalogue).
Sherman, Mary. "'Accident' Launches Newton Show", The Boston Herald, March 13, 1994.
Snyder, Jeffrey B., editor. Printmakers Today, Atglen PA:Schiffer Publishing Ltd, 2010.
Society for Contemporary Works on Paper. BIMPE VI, Vancouver BC: SCWOP, 2010.
Steinberg, Norma. "Prints in Boston 2001", Contemporary Impressions Journal of the American Print Alliance, Vol. 9 no. 2 (Fall 2001).
Stiglio, Martin. Potenti Impressioni. Washington DC: University of Indiana and Accademia di Belle Arti di Venezia, 2005. (Exhibition catalog.)
Stoddard, Tim. "Festival, Conference to Explore Public Nature of Digital Art", B.U. Bridge, April 18, 2003.
Sullivan, Meg. "Fit to Print", The Boston Phoenix, March 14, 1997.
Tarlow, Lois. "Turning Points", Art New England, December/January 2000.
Temin, Christine. "Turning Accident into Top-notch Art", The Boston Globe, March 9, 1994.
Unger, Miles. "In A Virtual Sculpture Park, The Art Talks Back", The New York Times, Sunday, January 28, 2001.
Van Der Wende, Andre. Innovative Printmaking, Art New England, February/March 2010 Vol.31 no. 2. 18-21.
Weininger, David. "Musica Viva Goes Back to the Future", The Boston Globe, October 10, 2005.
Zalazar, Nanu. Review, Radiopalermo FM 94.7, Argentina, November 17, 2006.
Professional Experience and Teaching:
Associate Professor, Chair of Printmaking, Boston University College of
Fine Arts, 2005 - present
Assistant Professor, Boston University College of Fine Arts, 1997 - 2005
Founder and Director, Experimental Etching Studio, Emeritus
Director, Director Emeritus, and Co-Founder, EES Arts Collaborative,
1992-2002
Director of Visual Arts, Boston University Tanglewood Institute, 1995 -
1997
Visiting Artist in Printmaking, Radcliffe College Harvard, 1983 - 1990
Visiting Artist, Holy Cross College 1989-90
Faculty, Art New England Summer Workshops/Bennington College 1990 - 1995,
1997
Consultant, Holt, Rinehart and Winston, 1989-90
Visiting Artist, Invited Lectures and Workshops:
Royal Academy, London
Curtin University, Perth, Western Australia
Russian Art Academy, St. Petersburg
International Cultural Center, Krakow Poland
Impact 11 International Print Conference
Yinchuan Art Museum, Yinchuan China
University of Wollongong, New South Wales, Australia
Museum of Fine Arts, Boston
Rhode Island School of Design Museum, Providence RI
University of the Arts, Philadelphia PA
Indiana University, Bloomington IN
Bucknell University, Lewisberg PA
Scuola Internazionale di Grafica, Venice Italy
New York Academy of Science
Maine College of Art, Portland ME
University of Texas at Arlington, Arlington TX
University of Louisiana at Lafayette
Hartford Art School, University of Hartford CT
University of Connecticut, Storrs CT
California State University, Chico CA
Dartmouth College, Hanover NH
Tarrant College, Fort Worth, Texas
Pyramid Atlantic, MD
Institute of Contemporary Art, Boston
Brookhaven College, Dallas TX
School of the Museum of Fine Arts
Massachusetts College of Art
Fuller Art Museum
Danforth Museum
Southeastern Massachusetts University
Montserrat College of Art
Clark University
Worcester State College
Jewett Art Center, Wellesley College
Women's Caucus, National Art Education Association Conference
Symposia/Colloquia:
Sessions Chaired:
Panel Chair: SGCI International Conference, San Francisco CA, "Synaptic
Leaps: Centers of Energy in Contemporary Printmaking" 2014
Panel Chair, Printed Memory, Duncan of Jordanstone College of Art and
Design, Univ. of Dundee Scotland, 2013
Panel Chair, Political Prints, University of the West of England, Bristol
UK, 2009
Panel Chair, Bits & Atoms: Transience and Tactility In Contemporary
Printmaking, Virginia Commonwealth University, 2008
Panel Chair, Unexpected Consequences, University of Wisconsin-Madison 2006
Symposia Organized:
Making Histories: Revolution and Representation, Boston 2003, SGC
International Annual Conference Co-Organizer, Conference on Contemporary Printmaking
Boston Printmakers/Boston University Printmaking Festival Festival. 2001
Organizer,
focusPRINT Contemporary Printmaking Series Series, 1999, Organizer, Boston
University
Shifting Grounds- A Symposium on Contemporary Printmaking, Organizer,
Boston 1997
Session Presentations Given:
Online Invited Lecture. Impact 11 International Print Conference, Hong Kong
Crossing Over: The Permeability of Forms, April 2021
Indiana University, Bloomington Indiana, Artist Lecture for Symposium for
Light/Matter: Art at the Intersection of Photography and Printmaking, 1954-2017 August 2018
College Art Association, New York, "Energy Interchange in Contemporary
Printmaking" 2017
Yinchuan Art Museum, China, "Printmaking and the Art of Life" October 2016
China Art Academy, Hangzhou China, Impact 9, "Dark Energy: Working at the
Perimeter" July 2015
SGCI International Conference, San Francisco, "Synaptic Leaps: Centers of Energy in Contemporary Printmaking" 2014
Monash University, Melbourne, IMPACT 7 Conference, "The Digital Dialect"
2011
Pyramid Atlantic. Book Arts Fair, "Animated Pages: The Virtual (R)Evolution
of the Book" 2012
Virginia Commonwealth University, Richmond VA, "Bits & Atoms: The
Transient Image"
Kansas City Art Institute, MO, "International Concerns In Printmaking"
Kansas City Art Institute, MO, "International Residencies In Printmaking"
Boston University Art Gallery, Boston University, MA "Printmaking,
Education, Community"
University of Wisconsin - Madison: "Unexpected Consequences"
University of Wisconsin - Madison: "Accidental Powers"
College Art Association, Atlanta GA: "Virtual Printmaking"
Rutgers University: "Alternative Media: The Projected Print"
Boston Museum of Fine Arts: "The Prints of Emil Nolde"
Boston Museum of Fine Arts: "Millet and the Use of Pastel"
Boston Museum of Fine Arts: "PHOTOIMAGE: Prints from 60's to 90's"
Fogg Art Museum: "Landscape Reflections: East and West"
Bunting Institute, Harvard/Radcliffe "Women In Technology" Series
Bunting Institute, Harvard/Radcliffe: "American Landscape: The Power of
Environment"
Philadelphia Print Collaborative: "Print Resources and Communities"
Boston Public Library: "Three Lives in Art: Cornell/Dion/Goldman"
Boston Public Library: Wiggin Symposium, "Working Proof: Experimental
Etching Studio"
DeCordova Museum: "Deborah Cornell and Tim Steele: A Dialogue"
Boston University Art Gallery: "Workshop Traditions: Prints In Boston Since
1960" 2001
Duxbury Art Museum: "The Once and Future Print"
Memberships and Service:
The Boston Printmakers
Executive Board, ongoing
American Print Alliance
Executive Board, 2002-2010
Southern Graphics Council
Executive Board 2002-2006
Southern Graphics Council Awards Committee, ongoing
College Art Association
CAA/SGC Liaison Committee, 2005-6
Art/Science Collaborations (ASCI)
Leonardo - Educational Arts Forum (LEAF)
Education:
BFA Rhode Island School of Design 1969MFA Vermont College of Fine Arts 1996