Selected Articles/Media/Reviews:
Ackley, Clifford. PhotoImage: Prints From 60's to 90's, Boston: Museum of Fine Arts Boston, 1998.
Acton, David. Sixty Years of North American Prints, Boston: The Boston Printmakers, 2009. 25, 26, 138-9, 163.
Banks, Michele."Art of Science: Deborah Cornell's Drifting DNA", The Finch and Pea, Posted April 8, 2015.
Bialik, Mikhail. "Review", The Neva Times, (St. Petersburg, Russia), June 5, 2002.
Birmingham, Doris. "Deborah Cornell: The Sleep of Reason, A Cautionary Tale", Art New England, April/May 2000.
Candiani, Alicia. "Con Tempus - Being with Her Time", in Deborah Cornell: Eclipse and Deluge: Accidental Powers and Oblique Contingencies, Marta Anna Raczek-Karcz editor, Krakow: Krakow Print Triennial, 2018. (Retrospective Catalog.)
Canelas, Nuno. Global Print 2015, Douro Portugal: Alijo Printmaking Center, 2015. 51. (Exhibition)
Chintamani, Gautam. "Creating Magic with Card Signs", Buzz Bureau web review, Ahmedabad India, January 23, 2010
Chmielewski, Amy. "Sights and Sounds: Explorations in the Arts: Art Meets Computer Science", Research 2007, Fall 2007. 24-25.
Creative Television Associates & De Cordova Museum, The Electronic Canvas.
Video presented on WGBH-TV, April 2, 2000.
Reviewed by Miles Unger, The New York Times, Sunday April 2, 2000.
Desmet, Anne. "Open to Scrutiny", Printmaking Today, (London) Spring 2003, 12 no.1.
Duehr, Gary. "BU to Hold Printmaking Symposium", The TAB, February 25, 1997.
Dziunikowska, Dorota, "Absolute Space", in Karnet, 7/2018. 24-27.
Faxon, Alicia. "Workshop Traditions: Boston Prints Since 1960", Art New England, June/July 2001.
Fifield, George. "Art of the Future/The Future of Art", Art New England, December/January 2000.
Flatow, Sheryl. "Fine Print", Research Magazine 2012, Boston University.
Folga-Januszewska. Dorota, "The Art of Connections", in Deborah Cornell: Eclipse and Deluge: Accidental Powers and Oblique Contingencies, Marta Anna Raczek-Karcz editor, Krakow: Krakow Print Triennial, 2018. (Retrospective Catalog.)
Frenn, Chawky. 100 Boston Artists, Atglen PA, Schiffer Publishing Ltd, 2013.
Gilroy, Brian. International Symposium of Electronic Arts 2014 LOCATION Catalog, Dubai: Zayed University 2014.
Goldfine, Rebecca."New Berkeley Show Fusing Art, Science Warns of Songbird Collapse", Bowdoin News, March 27, 2014.
Goss, Carol. "Not Still Art Festival Review", improvart.com, October 7, 2006.
Jun, Guang. "Deborah Cornell", Dialog with Yinchuan: China America International Printmaking Exhibition 2016, Yinchuan: China-America International Printmaking Exhibition Committee, 2016. 28-30.
Hauth, M. "Graveurs de Boston", Dernier Nouvelles D'Alsace, 20 fevrier 1990, no. 43.
Ingvarsdottir, Frida Bjork. "Mikill litur i svertunni", Morgunbladid, 25 October 2004.
International Triennial Print Society of Krakow. LETTRA-KRAKOW 2012, Krakow Jagellonian Library, 2012.
Jule, Walter; Ledent, Ingrid; Stirrat, Betsy; and Templeton, Tracey. "Deborah Cornell", Light and Matter: Art at the Intersection of Photography and Printmaking, Bloomington: Indiana University Grunewald Gallery, 2018. 26-27.
Kalamaras, Danielle. "INTERVIEW: Deborah Cornell Talks About her Work Featured In The Sci-art Center Exhibition The New Unconscious", Sci-Art In America, September 9, 2015.
Kenyon, Therese. "Show In the Labyrinth". IMPRINT: National Journal of the Print Council of Australia.44 no. 4. 12-13.
Kompeda, Kim. "Deborah Cornell: New Works", Art New England, June/July 1991.
Kumar, Sharya. Perfect with Pixel, Bowling Green State University: Ohio 2008 (exhibition catalog).
Lamb, Marguerite. "Rich Mix at Printmaking Show", Boston University Today, Feb. 28, 1997.
McIan, Nico. "active/Reflective: Contemporary Monotypes", Art New England, April/May 1991.
McQuaid, Cate. "A Haunted Poetic Vision of Genetics", The Boston Globe, February 3, 2000.
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̶ ̶"A Journey Through Shadows and Light", The Boston Globe, March 2, 2002.
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̶ ̶"Digital Art Takes Wing", The Boston Globe, April 27, 2000.
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̶ ̶"Beauty of These Artworks Printed Clearly", The Boston Globe, March 2, 2001.
Medrek, T.J. "Movie Melodies Score Big at Festival", Boston Sunday Herald, May 11, 2003.
Millis, Christopher. "Fit to Print", The Boston Phoenix, March 28, 2003.
Morrison, Holly. "be-yond – be-ond", Beyond Printmaking, Lubbock: Texas Tech University, 2008. (Exhibition catalog).
Nemser, Rebecca. "A Different Way of Seeing", The Boston Phoenix, March 2, 1990.
Nowicka, Martyna. "1105, 100 I Deborah Cornell", Krakow Gazeta, September 20, 2015.
Noyce, Richard. "Beyond the Surface", Printmaking Today. Autumn 2018. Volume 27, Issue 107. Published by Cello Press, London.
Parcelin, Paul. "Deborah Cornell/Lois Tarlow", Art New England, August/September 1995.
Parker, Teresa. "Deborah Cornell's Sublime Explorations into Genetic Survival", That's Inked up, Tuesday, January 10, 2012.
Patterson, David. "Viva Defends Earth Under Attack",The Boston Musical Intelligencer, February 3, 2019.
Perez Varela, Jesus. Flying Carpet, Conseleria de Cultura:Santiago de Compostela 2004 (exhibition catalog).
Potocka, Anna. "Where Is Printmaking?", Opole Poland: Wydawka, 2012. (Exhibition catalog.)
Pulin, Carol. "One World - North East West South", One World, Halifax NS: MAAPS, 2008. (Exhibition Catalog).
Raczek-Karcz. Marta Anna, "Artist Immersed In Processes", in Deborah Cornell: Eclipse and Deluge: Accidental Powers and Oblique Contingencies, Marta Anna Raczek-Karcz editor, Krakow: Krakow Print Triennial, 2018. (Retrospective Catalog.)
Raczek-Karcz. Marta Anna, editor, GRAPHICS MTG 2015 Krakow Poland: International Print Triennial 2015 (Exhibition catalog).
Shah, Kavita. Ganjifa. Chhaap: Boroda India 2008. (Exhibition castalogue).
Sherman, Mary. "'Accident' Launches Newton Show", The Boston Herald, March 13, 1994.
Snyder, Jeffrey B., editor. Printmakers Today, Atglen PA:Schiffer Publishing Ltd, 2010.
Society for Contemporary Works on Paper. BIMPE VI, Vancouver BC: SCWOP, 2010.
Steinberg, Norma. "Prints in Boston 2001", Contemporary Impressions Journal of the American Print Alliance, Vol. 9 no. 2 (Fall 2001).
Stiglio, Martin. Potenti Impressioni. Washington DC: University of Indiana and Accademia di Belle Arti di Venezia, 2005. (Exhibition catalog),
Stoddard, Tim. "Festival, Conference to Explore Public Nature of Digital Art", B.U. Bridge, April 18, 2003.
Sullivan, Meg. "Fit to Print", The Boston Phoenix, March 14, 1997.
Tarlow, Lois. "Turning Points", Art New England, December/January 2000.
Temin, Christine. "Turning Accident into Top-notch Art", The Boston Globe, March 9, 1994.
Unger, Miles. "In A Virtual Sculpture Park, The Art Talks Back", The New York Times, Sunday, January 28, 2001.
Van Der Wende, Andre. Innovative Printmaking, Art New England, February/March 2010 Vol.31 no. 2. 18-21.
Weininger, David. "Musica Viva Goes Back to the Future", The Boston Globe, October 10, 2005.
Zalazar, Nanu. Review, Radiopalermo FM 94.7, Argentina, November 17, 2006.
Publications as Author:
Cornell. Deborah. "Dark Energy: Working at the Perimeter of Materiality." IMPACT Printmaking Journal (Inaugural Edition), 1, no. 1 (Spring 2020).
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶. "Eclipse and Deluge: Accidental Powers and Oblique Contingencies." In Deborah Cornell: Eclipse and Deluge: Accidental Powers and Oblique Contingencies, Marta Anna Raczek-Karcz editor. Krakow: Krakow Print Triennial, 2018. 66-75 ̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶. "Dark Energy: Working the Perimeter." In Impact 9 International Print Conference Proceedings, Jiang Kong Guoquiao Xu editor. Hangzhou: China Art Academy Press 2015. 495-499. ̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶. "Introduction" in Almost Illuminated: Edward Bernstein, edited by Linda J. Baden. Bloomington: Indiana University, 2013. 4-5.̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ "The Digital Dialect: Tactility, Transience, Reach, Limits and Limitlessness." In Intersections and Counterpoints: Conference Proceedings, Impact 7 International Printmaking Conference, Luke Morgan editor, Melbourne: Monash University Publishing, January 2013.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ "Animated Pages: The Virtual (R)Evolution of the Book." In Openings: Studies in Book Art, the Journal of the College Book Arts Association, 1, no.1 (2012).
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ "Political Prints: Abstract." In Impact 6 Multidiciplinary Conference on Contemporary Printmaking Conference Proceedings, Bristol: University of the West of England, 2011.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ "Ambient Printmaking." In Grapheion International Review International Review of Contemporary Prints, Book, and Paper, 21 (Yearbook 2008) Simeona Hoskova editor-in-chief, guest edited by Richard Noyce, Melantrichova Czech Republic: Central European Gallery and Publishing House Ltd.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ "A Virtual Reality." Contemporary Impressions Journal of the American Print Alliance, Carol Pulin, ed., 14 no. 2 (Fall 2003). 11-15.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ "The Workshop as Center." Contemporary Impressions Journal of the American Print Alliance, Caroi Pulin ed., 6 no. 1 (Spring 1998). 20-21.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ "The New Terrain of Printmaking." In Un-Defining...Print, Cynthia Grieg ed., Detroit: Detroit Artists Market, 1998. 6-7.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ "Shifting Grounds: The New Terrain of Printmaking." Art New England. (February/March 1997). Partially reprinted in IMPRINT, The Journal of the Print Council of Australia. (Winter 1997) 32 no. 2.
̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶̶ ̶ ̶ "Working Proof: Director's Overview", In Working Proof: Experimental Etching Studio, Sinclair Hitchings ed., Boston: Boston Public Library, 1992. ASIN: B001BVUMFK 9-16